![]() In late 2015, as the quarterly magazine transitioned into bimonthly publication, Cinefex blog editor Graham Edwards joined the team as a full-time writer. In 1990, advertising director Bill Lindsay launched an advertising program that enabled Shay to hire editor Jody Duncan, the publication's head writer for several years, and later, associate editor Joe Fordham. The magazine was entirely reader-supported for its first ten years. Shay had also published five issues of an earlier fantasy film magazine from 1962 to 1967, titled K'scope (for Kaleidoscope, which appeared on the cover of the first issue), as well as collaborating with Ray Cabana on the one-shot magazine Candlelight Room in 1963.Ī defining characteristic of Cinefex is its unusual 8”x9” configuration, a format Shay chose to enable him to reproduce film frames in a format similar to their original film aspect ratio. Earlier, Shay had written extensively on the stop-motion effects work in the original 1933 film King Kong, published in the British publication Focus on Film, and had authored a definitive piece on the effects in Close Encounters of the Third Kind for the magazine Cinefantastique. The magazine was founded by Don Shay, who alone wrote and produced the first issue, which covered the effects work in the films Alien and Star Trek: The Motion Picture. ( July 2021) ( Learn how and when to remove this template message) Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources in this section. ![]() This section needs additional citations for verification. Each issue also featured many behind-the-scenes photographs illustrating the progression of visual effects shots – from previsualization to final – as well as the execution of miniatures, pyrotechnics, makeup and other related effects.Ĭinefex was made available for the iPad, enabling users to purchase digital copies of back issues of the magazine. Each issue featured lengthy, detailed articles that described the creative and technical processes behind current films, the information drawn from interviews with the effects artists and technicians involved. ( Learn how and when to remove this template message)Ĭinefex / ˈ s ɪ n ɪ f ɛ k s/ launched in 1980, was a quarterly journal covering visual effects in films. ( May 2016) ( Learn how and when to remove this template message) Please help by editing the article to make improvements to the overall structure. This article may be in need of reorganization to comply with Wikipedia's layout guidelines.
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